Konnikova is like your smart friend who instantly contextualizes everything by sharing the latest data and sharpest insight, whom you come to quote too often to other friends and family. (My trapped teenagers have heard me babble enough about various Konnikova-isms: how probability has amnesia, how winning streaks and losing streaks are impersonal randomizations, how skill might in fact win out over the long haul.) Meanwhile, at the table, she begins to gather herself, ticking the boxes: attention, presence, flow, objectivity over emotionality, correctly reading her opponents while garbing her own “tells,” or gestures that might give away her hand. She meets with anyone good at the game, adds psychological counseling (which leads her to her own personal Rosebud) and coaching sessions, one with Blake Eastman, an expert on nonverbal communication, who has her study hours of video of herself playing, which reveals Konnikova’s various tics, including a habit of rechecking her cards.
The most demoralizing realization in all of this is that, while poker might be the most egalitarian of games — no one cares what college you went to or what label you’re wearing at the table — the game stubbornly remains a man’s world, 97 percent male, according to Konnikova. In the main event, the World Series of Poker, women have only garnered 1.5 percent of the coveted winner’s bracelets. So Konnikova endures the harassment, the terrible name-calling and condescension and idiocy, turning the tables with her knowledge again, including a study that shows men are 6 percent more likely to try to bluff women in a hand, which prompts Konnikova to realize they will fold more often, too, if she plays more erratically — if she raises, check-raises and three-bets. Now, she wears headphones when she needs to cut out the sexist banter, all the while watching the hands of the players — not their faces (that’s another fascinating study) — trying to gain some edge at the table.
“The Biggest Bluff” is a feminist story without being a feminist tract. It’s an underdog tale in which the rise of the underdog has an air of inevitability and sweet revenge. It’s a nonfiction Bildungsroman minus the navel-gazing. Konnikova keeps the lines so clean and even, so steady and unshowy that she might be the Charlie Watts of prose: While the backbeat never ceases and the narrative propels along, it’s her curiosity that proliferates. In fact, one of the biggest bluffs of “The Biggest Bluff” may be that Konnikova hasn’t written a book about her success with cards and chips exactly, but bet the house on the power of her mind to synthesize big philosophical ideas and psychological insights at a time when we, too, find ourselves questioning our fortunes, hoping to master our fates and playing much bigger odds than ever before.