
Doom: The Politics of Catastrophe by Niall Ferguson review
(Evening Standard) – From plagues and volcanic eruptions to the current Covid pandemic, mankind has always been faced with catastrophes.
Thought Leader: Niall Ferguson
From Peter Zeihan: PC or console? Yes, I’m talking about gaming preferences…and if you answered PC, then we all owe you a big thank you. Today’s episode is all about the geopolitics of gaming (specifically, the advancements its caused in computing capabilities).
If the terms ping or lag mean anything to you, then you have likely experienced the frustration that has plagued gamers for ages. That very frustration is what helped to advance processing power and high performance chips (GPUs, aka graphics processing units) when most others’ computer needs were satiated. Since gamers needed top-tier graphics and a very responsive system, GPUs were developed to handle multiple processes simultaneously. And guess what those chips were also pretty damn good at? Running AI models.
Without those gamers pushing the boundaries and driving technological progress in this sphere, we would be at a loss for how to handle the AI buildout. Which require being able to handle massive amounts of data simultaneously. So, a tip of the hat and raise of the glass to all the nerds out there.
Doom: The Politics of Catastrophe by Niall Ferguson review
(Evening Standard) – From plagues and volcanic eruptions to the current Covid pandemic, mankind has always been faced with catastrophes.
Thought Leader: Niall Ferguson
Scott Gottlieb: How well can AI chatbots mimic doctors in a treatment setting?
This is an Op-ed by WWSG exclusive thought leader, Dr. Scott Gottlieb. Many consumers and medical providers are turning to chatbots, powered by large language…
Thought Leader: Scott Gottlieb
Sara Fischer: The AI-generated disinformation dystopia that wasn’t
This piece is by WWSG exclusive thought leader, Sara Fischer. Amid the craziest news cycle in recent memory, AI-generated deepfakes have yet to become the huge truth…
Thought Leader: Sara Fischer